The curtain rises on Anna Friel's latest performance in Australian medical drama 'The F Ward', where her intense preparation for the role of Dr Gloria Wall is a testament to her commitment to authenticity. Friel dived headfirst into researching real-life operations, initially finding the graphic nature challenging, but soon becoming desensitised – and even admiring – its raw intensity. The production's consultation with two female surgeons, on maternity leave, gave her invaluable insight into the often-overlooked struggles women face in a male-dominated field.
Friel's character is a 'no-nonsense woman', a trait that won the approval of the consulting surgeons, who advised against softening her portrayal. This practical approach resonates deeply with Friel, who cites figures like Dame Maggie Smith and Judi Dench – alongside her own mother and daughter – as her ultimate no-nonsense women. Meeting these icons at just 22 years old, during her time on Broadway, was a pivotal moment for the young actress, one that left an indelible mark on her psyche.
But it's not all method acting and intense research for Friel – she also has a secret technique up her sleeve. The talented actress reveals she learns lines in the bath, inflating script pages and sticking them around the bathroom until she's memorised each section. 'It may sound daft,' she admits, 'but it works a treat – especially as I age!' This unconventional approach underscores the dedication required for her demanding roles.
Anna Friel is also passionate about something that might surprise you: lighting. She's an avid collector of Arts and Crafts period furniture, specifically from 1880 to 1920, when Vaseline glass containing uranium created a warm, candle-like glow as electricity became more widespread. 'The first thing I ever spent my own money on was a light,' she confesses, adding that she loves advising others on their lighting arrangements – often packing a bag full of lightbulbs, including fairy lights, to create the perfect atmosphere.
Friel is convinced that lighting has a profound impact on human thought and mood, advocating for warmer, yellowish tones over harsh artificial light found in offices, schools, and dental practices. Her perspective is rooted in the idea that humans are naturally attuned to natural light – and replicating a comforting glow can significantly impact well-being. This aligns with broader discussions around environment's effect on mental health, although specific NHS guidelines on lighting for general well-being aren't explicitly detailed.
Friel was struck by the laid-back lifestyle during filming in Australia, where daily swimming is a staple – even with early call times and late wraps. She playfully contrasts this relaxed attitude with what she terms the 'sorry, sorry, sorry' nature of Britons, remarking on the general confidence of Australians – a nation, she believes, of 'beautiful people.'