The pulsating rhythms and siren songs of Weimar Republic Berlin's cabaret scene are about to bewitch audiences once again, courtesy of Anne Sofie von Otter's electrifying new album, 'Berlin! Berlin! Berlin! Kabarett und Exil'. This scintillating soundtrack is the perfect introduction to a pivotal era in cultural history, where art and politics collided in a maelstrom of creativity that still reverberates today.
As von Otter delves into this treasure trove of music with the Salon Orchestra of the Komische Oper Berlin under Adam Benzwi's masterful direction, it becomes clear how the genre's boundary-pushing innovations – from burlesque to cinematic soundscapes – left an indelible mark on global entertainment. We witness the dichotomy between those like Friedrich Hollaender and Mischa Spoliansky, who fled Nazi Germany and found solace in Hollywood escapism, and the likes of Kurt Weill and Hanns Eisler, whose scathing satirical songs struck a powerful blow against the regime.
Von Otter's meticulously curated programme is an expertly woven tapestry of diverse styles – from poignant ballads to rousing anthems. Despite some stylistic shifts, her judicious selection successfully captures the genre's kaleidoscopic essence, aided by the Salon Orchestra's authentic performances and Benzwi's inspired arrangements.
This album not only delves into lesser-known gems but also offers a fresh perspective on this fascinating period. Tracks like the lively 'Song of the Desert' Balkan stomp from 1939 and Günter Neumann's Prussian striptease number show off von Otter's fearless eclecticism, while another song – 'Musik! Musik! Musik!' from 'Hallo, Janine' – reveals a surprising kinship with the theme from 'The Muppet Show', demonstrating the genre's remarkable stylistic range.
Seventy-one years on, von Otter remains an unparalleled force. While her vocal range may have naturally narrowed, her commanding presence and deep understanding of these complex works remain unshakeable. With consummate skill, she navigates the nuances between her powerful chest voice and more intimate upper register, imbuing each performance with profound insight – a true masterclass from one of the world's greatest mezzo-sopranos on the BIS label.