Claire Fuller's new novel, 'Hunger and Thirst', is being highlighted as a distinctive literary offering that masterfully intertwines social realism with the macabre elements of gothic horror. The book is described as 'lurid, big-boned, often brilliant', presenting a narrative that features a sculptor and a true-crime documentary, creating a rich tapestry of contemporary observation and chilling suspense.
The review suggests that the novel provides significant 'state-of-the-nation commentary' alongside 'gruesome chills', indicating a work that aims to provoke thought while simultaneously delivering a compelling, unsettling experience. This blend of genres is a hallmark of Fuller's style, allowing her to explore complex societal issues through a uniquely dark lens.
A recurring thematic interest for Fuller, as observed in the review, is the concept of corpses – specifically, the profound moment when a living, cherished body transitions into inert, heavy matter. This fascination was also evident in her acclaimed 2021 Costa winner, 'Unsettled Ground', which explored similar themes with 'fierce, angry energy'. Her continued exploration of this subject matter in 'Hunger and Thirst' suggests a deeper dive into mortality, decay, and the human response to it.
The combination of a sculptor, whose art often engages with form and material, and a true-crime documentary, which dissects the aftermath of human tragedy, provides fertile ground for Fuller to explore these themes. The novel's structure likely allows for a multifaceted examination of how society processes death, crime, and the often-unseen realities behind them.
Readers familiar with Fuller's previous works will likely recognise her signature style – a precise yet evocative prose that doesn't shy away from the darker aspects of human existence. 'Hunger and Thirst' appears to build upon this foundation, promising a thought-provoking and unsettling read that solidifies her reputation as a distinctive voice in contemporary British fiction.