A new independent film, 'Executioner', is set to offer audiences a darkly comic take on political intrigue and blackmail, centring on a fictional shadow cabinet minister. Adapted from actor-director Peter Benedict’s own play, 'Deadlock', the film features Benedict in the lead role of Robert Marlowe, a character described as a right-leaning politician who prefers the term “maverick” over “colourful” to describe his reputation.
The entirety of 'Executioner' unfolds within the basement studio of Marlowe’s country residence, highlighting its low-budget production. The plot begins when Marlowe’s assistant, Mark, arranges for 19-year-old Tommy to spend the night. The narrative quickly descends into a series of convoluted double-crosses and dark humour, with critics noting the plot’s escalating preposterousness.
Benedict not only co-directs the film but also delivers a memorable performance as MP Robert Marlowe. His portrayal has been described as 'lip-smacking', with reviewers suggesting it makes more traditional dramatic villains appear understated. The film’s setting in Marlowe's pottery studio, complete with references to Gilbert and Sullivan, adds an unusual layer to the unfolding drama.
Originally staged as a play in 2007, the adaptation for the screen retains a distinct theatrical feel, which some critics suggest might be too pronounced for cinematic viewing. The film's depiction of a 'sleazy venal Tory MP' has also prompted observations that the characterisation, while perhaps relevant at the time of the play's original staging, might now feel somewhat dated in the current political landscape, post-David Cameron and Boris Johnson.
The production's minimal budget is evident throughout, contributing to its stagey aesthetic. Despite this, the film aims to provide a satirical commentary on certain facets of the political class, using a confined setting to amplify the tension and absurdity of the blackmail plot.