A new independent horror film, 'Diabolic', has emerged, aiming to delve into themes of past trauma and fundamentalist religious upbringing within a horror framework. Shot in Australia but set against a backdrop of what is described as 'Mormon country' in the US, the film follows the character of Elise, an artist who is grappling with the aftermath of her escape from a fundamentalist branch of the Latter-day Saints a decade prior.
The narrative of 'Diabolic' reportedly incorporates elements such as 'underground doors' and regression therapy, suggesting a psychological approach to its horror. This blend of genre tropes with a character's deep-seated past trauma, particularly one rooted in a specific religious context, has been highlighted as a potentially compelling premise for the genre.
Despite its intriguing setup and an initial display of competency in its execution, the film is said to struggle in its latter stages. Reviewers have noted that while the production manages to build a certain atmosphere and tension, it ultimately collapses into what are described as 'hacky manoeuvres' in its final reels, failing to deliver a 'knockout blow' that such a premise might promise.
The cast of 'Diabolic' features few recognisable faces, which is common for independent productions. This often allows for a focus on the story and atmosphere rather than star power, though in this instance, it appears the narrative's conclusion may not fully capitalise on its initial strengths.
The film attempts to explore the lingering psychological impact of a restrictive upbringing and the process of confronting deeply buried memories. The use of ayahuasca, a psychoactive brew often used in spiritual and healing ceremonies, is also mentioned as a plot device to facilitate Elise's journey into her past, adding another layer to the film's exploration of trauma and memory.