Irish artist Richard Malone is currently showcasing his distinctive, colourful fabric creations within the Council of the European Union's Justus Lipsius and Europa buildings in Brussels. The installation, titled 'Cuimhne agus Séadchomhartha' (Memory and Monument), coincides with Ireland's assumption of the EU presidency this month, offering a vibrant new perspective within the heart of European governance.
Malone's work, which includes dramatic drapes and folds resembling mythical creatures, seeks to challenge and rewrite traditional narratives surrounding Irish art and identity. He highlights how much historical work by queer and female artists and craftspeople has been historically overlooked or erased, often in favour of pieces chosen by a select group of men. His exhibition aims to bring these marginalised voices and artistic forms to the forefront, questioning why certain crafts, like stitch samplers and quilts, have not received the same recognition as other art forms.
Beyond the large-scale fabric sculptures, Malone has also curated the presidency suites within the buildings with works by other contemporary Irish artists, makers, and craftspeople. This includes functional items such as sofas, rugs, and vessels made from burnished wood, transforming the spaces into a comprehensive display of modern Irish creativity. This approach reflects Malone's own background, having grown up in Wexford with a decorator father who instilled in him a deep sensitivity to colour and practical skills.
Malone's artistic journey began by learning to sew from his grandmother, driven by an interest in how gender influenced traditional roles. After studying sculpture in Wales and later fashion at Central Saint Martins, he found himself somewhat an outsider in the fashion world, despite creating bespoke pieces for clients and collaborating with artists like Björk. He designed the striking dress worn by the Icelandic musician in her 'Atopos' music video, a collaboration he describes as natural and without commercial pressures.
However, Malone grew disillusioned with the fashion industry's ethical and sustainability issues, including the promotion of unethical brands and the pressure for mass production. This led him to transition more fully into the art world, where he continues to advocate for integrity and a more considered approach to creation. His current installation in Brussels is a powerful statement, not only about Irish identity but also about the value of craft, sustainability, and diverse artistic voices on an international stage.