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Tarot's Journey: From Renaissance Game to Modern Divination Tool

A new exhibition explores the fascinating history of tarot cards, tracing their evolution from 15th-century Italian card games to their current association with the occult. The show highlights how these artistic objects have maintained continuity while undergoing significant transformation over centuries.

  • Tarot originated as a card game in 15th-century Italy, not for divination.
  • Occult connotations emerged in 18th-century France before spreading to the UK.
  • Early tarot decks were hand-painted luxury items, showcasing masterful artistry.
  • The Rider-Waite-Smith deck (1909) significantly popularised tarot and expanded its imagery.
  • A new exhibition at The Morgan Library & Museum explores this rich artistic and cultural history.

The tarot's tale of transformation is a story that will leave you breathless – from humble beginnings as a sophisticated game in 15th-century Italy to the modern-day phenomenon it is today. The Morgan Library & Museum's new exhibition, 'Tarot!', puts this incredible journey under the spotlight, shining a light on the cards' origins and their evolution into a global divination tool.

It all began in Renaissance Italy, where tarot cards were used purely for entertainment purposes – think of them as the board games of the time! But it wasn't until they made their way to France in the 18th century that these cards started to take on mystical and occult connotations. From there, they made their way to the UK and eventually spread across the globe throughout the 20th century, becoming a cultural phenomenon.

The exhibition offers an extraordinary glimpse into the early days of tarot, showcasing a vast portion of the oldest surviving deck – the Visconti-Sforza collection. This stunning collaboration between The Morgan Library and the Accademia Carrara in Bergamo, Italy, reveals just how these initial decks were hand-painted luxury objects created by master artists. As co-curator Joshua O'Driscoll points out, crafting these early decks required an impressive range of artistic skills – from panel painting to manuscript illumination.

But what's truly remarkable is that despite their age, these Renaissance decks bear a striking resemblance to modern tarot imagery. Anyone familiar with contemporary decks would recognise the core elements of the nearly 600-year-old Visconti-Sforza. As O'Driscoll explains, the earliest decks drew inspiration from Petrarch's 'Triumphs', charting a life path from sin to redemption – while later decks, like the influential Rider-Waite-Smith deck introduced in 1909, incorporated an even broader range of influences, from the Bible to Art Nouveau and contemporary British society.

Curator Claire Gilman believes that the tarot's lasting appeal lies in its unique ability to be both ancient and modern at the same time. She highlights the significant continuity between established characters and imagery, alongside a tremendous capacity for change and transformation – making it a true 'keeper' of cultural relevance.

Why this matters: This exhibition offers a fresh perspective on a cultural phenomenon that has seen a significant resurgence in the UK. Understanding its origins helps to contextualise a practice many British adults may encounter or engage with, either for entertainment or personal reflection.

What this means for you: What this means for you: For those in the UK curious about the origins of tarot or its artistic heritage, this research provides valuable context to a practice that has become increasingly visible in modern society, from independent bookstores to online communities.

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