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Working-class musicians face increasing financial barriers, says conductor

Robert Ames, co-founder of the London Contemporary Orchestra, states that it has become significantly harder for musicians without financial backing to build a career in classical music.

  • Robert Ames, co-founder and conductor of the London Contemporary Orchestra, is stepping down today after 18 years.
  • He highlights that working-class musicians are being priced out by costs such as lessons, instruments, travel, courses, and high rents.
  • More than 70% of UK musicians are self-employed or freelance, with minimum fees for a rehearsal and concert day of up to six hours set at £163.18 under the Musicians’ Union/Association of British Orchestras category 1 agreement.

Robert Ames, co-founder and conductor of the London Contemporary Orchestra (LCO), is stepping down today after 18 years. He has expressed growing concern over the increasing difficulty for individuals without financial resources to establish a career in the classical music sector.

Ames notes that a pathway for working-class musicians, which once included state school instrument access, affordable council-backed music lessons, and youth orchestras, has been dismantled. He states that working-class musicians now face numerous unavoidable costs, including lessons, instruments, train fares, courses, and high rents, particularly in London.

According to Ames, over 70% of musicians in the UK are self-employed or freelance. The current minimum fee for a section musician for a rehearsal and concert day of up to six hours is £163.18, as per the Musicians’ Union/Association of British Orchestras category 1 agreement. However, this fee does not account for years of training, expensive instruments, or unpaid preparation time.

Why this matters: The challenges highlighted could impact the diversity of talent within the classical music industry.

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