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York Minster Stonemason's Face Immortalised as Grotesque After 50 Years

A stonemason who has dedicated nearly 50 years to York Minster will have his face carved into a 'grotesque' and installed on the historic building. John David, master mason emeritus, described the honour as 'very humbling'.

  • John David, master mason emeritus, has worked at York Minster since 1980.
  • His likeness has been carved into a stone grotesque, to be installed on the south side of the Minster later this year.
  • The carving includes elements representing David's life, such as divider calipers, a daffodil, and his labrador, Poppy.
  • David was part of the team that repaired the Minster after the 1984 fire.
  • The grotesque was created in a medieval style to blend with the Minster's 800-year-old masonry.

A stonemason who has dedicated nearly five decades of his life to York Minster is set to have his own likeness permanently integrated into the historic building. John David, master mason emeritus, has had his face carved into a stone 'grotesque', a decorative carving similar to a gargoyle, which will be installed on the south side of the Minster later this year.

The commission forms part of the ongoing restoration and replacement programme for the Minster's weathered and aged grotesques. Mr David, who began working at the iconic cathedral in 1980, expressed his profound humility at the honour, noting that the Minster's many carvings have endured for hundreds of years.

The intricate carving, which took five weeks to complete, incorporates personal elements representing Mr David's life. These include a pair of divider calipers, a symbol of his craft, a daffodil to signify his Welsh heritage, and the face of his labrador, Poppy. Stonemason Martin Coward, who crafted the piece, explained that he aimed to design something that reflected Mr David's attributes and would be legible from a distance, driven by a desire to show appreciation for his extensive work on the building.

Mr David's long tenure at York Minster includes his involvement in the crucial repair efforts following the devastating fire in 1984. He described that night as 'traumatic' and 'surreal', recalling the widespread distress the following day. However, he emphasised that the immediate thought among craftsmen was to rebuild and restore the damaged structure.

The grotesque has been deliberately created in a medieval style to ensure it harmonises with the Minster's existing masonry, some of which dates back over 800 years. Mr Coward noted that a straightforward portrait would have appeared out of place, explaining that the features are subtly exaggerated to fit the traditional aesthetic. Mr David concurred, stating his belief that it is a 'great carving' that a medieval mason would appreciate, which he considered paramount.

Why this matters: This story highlights the enduring legacy of traditional craftsmanship and the dedication required to maintain Britain's historic architectural treasures. It offers a glimpse into the ongoing preservation efforts at national landmarks like York Minster.

What this means for you: What this means for you: This story showcases the vital work of skilled artisans in preserving the UK's rich cultural heritage, ensuring that iconic buildings like York Minster remain magnificent for future generations to enjoy.

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