A half-century milestone for a studio that's been bringing the laughs, tears, and pure unadulterated joy to our screens – Aardman Animations is marking five decades of magic with a sparkling new exhibition at Bristol's M Shed. The harbourside venue is buzzing as it gets set to unveil an incredible journey that takes us from the humble beginnings of Morph in 'Take Hart' to the global phenomenon that is Shaun the Sheep and the irrepressible 'Chicken Run' crew.
As you step into this vibrant celebration of all things Aardman, you're immediately immersed in the studio's beloved heritage. The exhibition skillfully charts their evolution, showcasing the breathtaking craftsmanship behind those lovable characters and settings we've grown to adore. From the whimsical charm of Wallace and Gromit to the irreverent humour of Shaun the Sheep, every frame tells a story of how Aardman has consistently drawn inspiration from Bristol's free-spirited ethos.
Ngaio Harding-Hill, Aardman's director of attractions, live experiences, and archive, is adamant that this connection runs deep – "The spirit of Bristol has always been at the heart of what we do. It's about championing independence and creative freedom." This sentiment echoes through every aspect of the exhibition, as it not only delights and informs but also inspires the next generation to consider a career in the creative sector.
One of the most fascinating aspects of this showcase is how Aardman seamlessly wove its love for the South West into their productions. Take Shaun the Sheep's Railway Arch setting, inspired by Bristol Temple Meads; or Tottington Hall from 'The Curse of the Were-Rabbit', modelled on Montacute House in Somerset – these are just a few examples of the studio's affectionate nods to the region.
Among the exhibition's highlights is an incredible flying machine from 'Chicken Run' that miraculously survived the 2005 fire that destroyed much of Aardman's archives, having been lovingly stored in a production team member's garage. Another stunner features Wallace and Gromit locked up by their arch-nemesis Feathers McGraw – offering a tantalising glimpse into next year's eagerly anticipated film 'Vengeance Most Fowl'. Steve Bradley reveals the meticulous craftsmanship even in the more gritty sets, such as one featuring an overflowing skip and a barbed wire fence with tiny plastic bags.