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Joan Barfoot's 'Gaining Ground' Revisited: A Landmark Feminist Novel

Half a century after its initial publication, Joan Barfoot's 'Gaining Ground' continues to resonate as a powerful exploration of maternal flight. Anne Enright celebrates the novel's enduring originality and its refusal to simplify the complex motivations of a woman who abandons her children.

  • Joan Barfoot's novel 'Gaining Ground' (originally 'Abra') is being celebrated as a landmark feminist work.
  • The book, first published in Canada in 1978 and the UK in 1980, explores a mother's decision to leave her children to find her true self.
  • It stands out in a growing literary genre of maternal flight for its nuanced portrayal and refusal to judge its protagonist.
  • The narrative follows Abra nine years after her departure, as her estranged daughter arrives at her secluded cabin.
  • The novel delves into themes of identity, dissociation, and societal expectations of motherhood.

Joan Barfoot's groundbreaking novel, 'Gaining Ground', is receiving renewed attention, with Anne Enright celebrating its enduring power and originality half a century after its initial release. The book, which explores the profound and often taboo subject of a mother abandoning her children in pursuit of her own identity, was first published in Canada in 1978 under the title 'Abra' before arriving in the UK in 1980 through The Women's Press.

At the heart of the narrative is Abra, a woman who chooses to leave her family behind, a decision that challenges deeply ingrained societal perceptions of motherhood. While fathers are more commonly depicted as deserters in real-world scenarios, the novel delves into the radical act of a woman 'un-mothering' herself, questioning the intrinsic and creational connection often attributed to maternal bonds. Barfoot's work rigorously and meditatively examines the process of separation, presenting it as a journey towards becoming a single, undivided self.

'Gaining Ground' predates a number of more recent literary works that explore similar themes of maternal flight, such as Elena Ferrante's 'The Lost Daughter' or Cathy Sweeney's 'Breakdown'. However, Barfoot's pioneering approach distinguished itself by refusing to frame the abandoning mother as either a monster or a victim. Instead, Abra never questions the morality of her quest to discover her true self, offering a complex and unvarnished portrayal of her motivations.

The story unfolds nine years after Abra's departure, with the unexpected arrival of her 18-year-old daughter, Katie, at her remote cabin in the woods. This reunion triggers a flood of memories for Abra, recalling her former life in Toronto, her marriage, and the contrasting experiences of motherhood with her two children. The novel meticulously details Abra's dissociation from her past, her efforts to live a life stripped of external pressures, and her determined focus on self-sufficiency in the Canadian wilderness.

Barfoot masterfully explores themes of maternal ambivalence, depression, and the loss of meaning, all while maintaining a consistent focus on truth and pretence. The novel's depiction of Abra's journey into solitude, her physical labour to survive, and her deliberate avoidance of external connections, portrays a powerful and convincing transformation. This celebrated work continues to offer a vital contribution to the discourse surrounding women's autonomy and the complexities of familial relationships.

Why this matters: This renewed focus on 'Gaining Ground' highlights its significant contribution to feminist literature and its ongoing relevance in discussions about women's roles and societal expectations. For UK readers, it offers an opportunity to engage with a pivotal work that challenged norms decades ago and continues to resonate today.

What this means for you: Engaging with 'Gaining Ground' offers a perspective on challenging societal norms around motherhood and personal freedom, potentially sparking discussions on these themes within UK households and book clubs.

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