The Paramount Quartet is a masterclass in saxophone virtuosity – Joe Lovano's latest release is an unbridled joyride that showcases the instrument's unflappable eloquence. With a quartet of heavyweight musicians by his side, including guitar legend Julian Lage and drummer Will Calhoun, Lovano takes centre stage to deliver a scintillating set that leaves no doubt about his enduring status as one of jazz's most captivating figures.
Lovano's versatility is on full display, from the bebop-infused intensity of his solo work to the inspired free-improvisation that gives 'First Song' its mesmerising energy. The track, featuring Lage's gorgeous guitar intro and Lovano's sublime saxophone theme, is a highlight in an album packed with original compositions and inspired interpretations of jazz classics by Charlie Haden and Wayne Shorter.
The saxophone itself has a rich history, born from the innovative vision of Belgian Adolphe Sax in the 19th century. Initially met with resistance, it was transformed by pioneers like Sidney Bechet, Charlie Parker, John Coltrane, and Sonny Rollins into one of jazz's most expressive voices – a legacy Lovano continues to uphold with his own unique voice.
From the frenetic exchanges between sax and guitar in 'Amsterdam' to the percussive, dancefloor-friendly funk of 'Fanfare for Unity', this album is a triumph. Even the more subdued moments, like Wayne Shorter's enchanting 'Lady Day', are imbued with Lovano's unmistakable magic.
But the Paramount Quartet is just one of several exciting releases in an already action-packed month. Joshua Redman and Gabrielle Cavassa team up on 'Diavola', a bold album that showcases Cavassa's originals and reimagines classic standards. Meanwhile, guitarist Mahan Mirarab brings his unique sound to 'Unspoken', blending Eastern and Western influences with a double-necked instrument. And in the UK, Empirical's 'Like Lambs: To the Slaughter' weaves together Yoruba traditions, chamber music, post-bop, and free-improv for an unforgettable listening experience.
Source: John Fordham's jazz album of the month review