Philip Hensher's new book, 'A History of the Novel in Britain', has been reviewed as a 'masterpiece of criticism'. The 600-page work provides an account of fiction spanning from Daniel Defoe's 'Robinson Crusoe' in 1719 up to Zadie Smith in 2000.
The book is praised for its engaging style, described as a 'wonderful read' that avoids the typical academic approach of separate chapters by different specialists. Hensher instead offers a 'joined-up account of creative call and response' between authors and their works.
Hensher's experience as a novelist reportedly informs his analysis, allowing him to examine specific literary techniques. The book also delves into the financial aspects of authors like Samuel Richardson and Henry Fielding, detailing their differing publishing models and the risks involved.
The narrative highlights authors who may have been overlooked or misjudged, such as Hannah More and Tobias Smollett, while also offering strong criticisms of others, including Ann Radcliffe and DM Thomas. Hensher concludes his history in 2000, stating that sufficient time is needed for proper critical judgment.