A new multi-venue music event, 'Everywhere At Once', has significantly bolstered its artist roster, with acclaimed DJ Fatboy Slim, singer-songwriter Lucy Spraggan, and indie stalwarts Gene among the latest names confirmed. The festival, which aims to provide a nationwide alternative to traditional large-scale summer events, also welcomes grime artist D Double E and Westside Cowboy to its diverse line-up.
The 'Everywhere At Once' concept is designed to spread live music across numerous venues simultaneously, offering a decentralised festival experience. This approach seeks to mitigate the challenges associated with single-location mega-festivals, such as ticket scarcity and environmental impact, while making live music more accessible to audiences across the country. Organisers have indicated the event is intended to fill a void for those unable to attend major festivals like Glastonbury.
Fatboy Slim, real name Norman Cook, is a household name in British dance music, known for hits such as 'Praise You' and 'Right Here, Right Now'. His career has spanned decades, earning him multiple Brit Awards and cementing his status as a global DJ icon. Lucy Spraggan rose to prominence on The X Factor in 2012 and has since built a successful career with her distinctive folk-pop sound, releasing several studio albums. The inclusion of Gene, fronted by Martin Rossiter, will appeal to fans of 90s indie, while D Double E brings a significant presence from the UK grime scene.
The festival's format suggests a distributed model, allowing attendees to experience a wide range of genres and artists in more intimate settings, or across multiple local venues. This could offer a different dynamic compared to the sprawling fields of Worthy Farm, potentially fostering a stronger connection between artists and audiences. Details on specific venues and ticket information are expected to be released incrementally, building anticipation for the innovative event.
The emergence of 'Everywhere At Once' reflects a broader trend in the UK music industry, where new models are being explored to engage audiences and sustain live performance. With the landscape of music festivals constantly evolving, this new venture could set a precedent for future events, prioritising accessibility and a varied cultural offering across the nation.