German electronic music pioneers Mouse on Mars are preparing to unveil a unique project stemming from a whirlwind recording session with the legendary dub artist Lee 'Scratch' Perry, who passed away in 2021. The collaboration, described as an unexpected pairing, will be presented primarily through a 'spatial audio' installation, a format that aligns with the duo's long-standing reputation for pushing boundaries in sound.
Andi Toma and Jan St. Werner, the minds behind Mouse on Mars, have consistently navigated an oblique path through electronic music over their 30-year career. Their latest venture with Perry is characteristic of their artistic philosophy, which often embraces unforeseen opportunities and unconventional methodologies. This approach has seen them explore diverse sonic landscapes, making them a significant, albeit often understated, force in experimental music.
The duo’s current creative hub is nestled within a courtyard in Berlin’s vibrant Kreuzberg district, a location that itself hints at their slightly off-centre artistic identity. Despite their enduring presence and influence, Mouse on Mars are known for their dedication to the craft rather than seeking mainstream attention, allowing their adventurous sound experiments to speak for themselves.
Working with Lee 'Scratch' Perry, an artist celebrated for his groundbreaking work in dub and reggae and his eccentric genius, might seem an unusual fit for an electronic duo. However, both Mouse on Mars and Perry shared a common thread of fearless experimentation and a disregard for conventional musical structures. This shared ethos likely provided fertile ground for the unique sonic output of their collaboration.
The decision to present the work as a 'spatial audio' installation further underscores Mouse on Mars' commitment to innovative sound experiences. This format allows for an immersive auditory environment, potentially offering listeners a deeper, more three-dimensional engagement with the intricate layers of sound created during their sessions with Perry. It represents a modern way to experience music, moving beyond traditional stereo playback.